LAS VEGAS, Jan. 10, 2012 /PRNewswire/ — Warner Bros. Home Entertainment Group and Netflix, Inc. (Nasdaq: NFLX) today announced a new agreement that will extend the current 28-day sales-only window to 56 days for Theatrical New Release and made-for-video titles on DVD and Blu-ray Disc.

“Since we implemented a 28-day window for subscription and kiosk, we have seen very positive results with regard to our sell-through business,” said Mark Horak, president, Warner Home Video North America. “One of the key initiatives for Warner Bros. is to improve the value of ownership for the consumer and the extension of the rental window – along with our support of UltraViolet – is an important piece of that strategy.”

Warner Bros. is balancing its home entertainment revenue streams by creating different times at which a product is available at different prices. A staggered schedule allows the Studio to maximize the sales potential of its theatrical new release titles and VOD offerings.

“Netflix wants to ensure members have continued secure access to Warner Bros. DVDs and Blu-ray discs and, as such, is accepting the 56 day holdback,” said Netflix Vice President of Content Anna Lee.

The new agreement was announced at the annual Consumer Electronics Show in Las Vegas, Nev. in conjunction with an annual event held by the Digital Entertainment Group.

About Warner Bros. Home Entertainment Group

Warner Bros. Home Entertainment Group (WBHEG) brings together Warner Bros. Entertainment’s home video, digital distribution, interactive entertainment/videogames, direct-to-DVD production, technical operations and anti-piracy businesses in order to maximize current and next-generation distribution scenarios. WBHEG is responsible for the global distribution of content through DVD, electronic sell-through and transactional VOD, and delivery of theatrical content to wireless and online channels, and is also a significant worldwide publisher for both internal and third party videogame titles.

About Netflix

With more than 20 million streaming members in the Americas, the United Kingdom and Ireland, Netflix, Inc. [Nasdaq: NFLX] is the world’s leading internet subscription service for enjoying films and TV programmes. For about US$7.99 a month, Netflix members can instantly watch unlimited films and TV episodes streamed over the internet to PCs, Macs and TVs. Among the large and expanding base of devices streaming from Netflix are the Microsoft Xbox 360, Nintendo Wii and Sony PS3 consoles; an array of Blu-ray disc players, internet-connected TVs, home theatre systems, digital video recorders and internet video players; Apple iPhone, iPad and iPod touch, as well as Apple TV and Google TV. In all, more than 700 devices that stream from Netflix are available. For additional information, visit www.netflix.com. Follow Netflix on Facebook and Twitter.

SOURCE Warner Bros. Home Entertainment Group; Netflix, Inc.

Sony has also announced the upcoming releases of The Smurfs and Friends With Benefits will be UltraViolet enabled.

Every major studio except Disney is on board with the technology, and there is massive support on the hardware manufacturer side as well. The Digital Entertainment Content Ecosystem (DECE) group of companies is hoping to challenge the streaming or renting concept we’ve all embraced for one of true content ownership.

Best Buy and Walmart are both interested in selling UltraViolet hardware.

How it works

UltraViolet logos will be located on compatible Blu-ray Discs and DVDs, and inside there will be a redemption code. The user will set up an account at UVVU.com and enter the codes. The content will then be available for use on up to ten devices (PCs, HDTVs, BD players, mobile devices, etc). Up to six people may be registered on each account with access to the content.

Eventually, UltraViolet content will be available for purchase as digital-only, but this may be burned to disc by the end user.

The caveat

Until UltraViolet-enabled hardware becomes available, owners of Horrible Bosses (and other future Warner Bros. UltraViolet content) will only be able to watch the digital copy at Flixster.com. Hardware support should follow in early 2012.

With my account in an on hold status, I won’t receive any Netflix service, but more importantly, they won’t receive any of my money, as all billing is halted.

So why did I do it and why am I writing about it? This move is just my little way of protesting their price increases, their poor “justifications” and their anti-customer behaviors. After all, the strongest consumer voice is the wallet.

Interestingly enough, the same day that I put my account on hold, Netflix announced that they were spinning off their DVD & Blu-ray Disc rentals into an entirely separate service dubbed Qwikster.

When I heard that Qwikster would require completely separate billing and queue management, I actually wasn’t that shocked. Netflix has been making dumb decisions and pissing off customers for quite some time now. By now I just expect them to do things that aren’t customer friendly.

I haven’t yet decided on whether I will be fully cancelling my Netflix account or removing the hold to reactivate service. At this point I’m still thinking about it and waiting to see what else the company will (or won’t) do.

In related news, I didn’t receive an email from Netflix regarding the Qwikster spin-off and I didn’t receive the “apology” email from CEO Reed Hastings, maybe because my account is on hold? If so, WTF?

According to rumors online, Netflix could lose up to 1/3 of their subscribers due to the recent fiascos. Is your service with Netflix or Qwikster still active or are you cutting them off?

Launching today, DirecTV’s premium video on demand service will provide the Adam Sandler movie Just Go With It for home rental less than 70 days after the film’s premier, and before any DVD or Blu-ray Disc release.

The price for such early access will be steep, at $29.99 for a 48-hour time frame. This is high, but may be competitive compared with taking a whole family to the cinemaplex at $10.50 per head.

This is the first time any major studio has allowed a movie to be released for home viewing this soon after playing in theaters. Just Go With It will be followed by Hall Pass, The Adjustment Bureau, and Cedar Rapids. Release dates for those films have not been announced, but may be as soon as 60 days after their theater release debut.

In 2006, under the direction of Mark Cuban, Magnolia Pictures released the Steven Soderbergh film Bubble simultaneously to theaters, cable/satellite and DVD as a pilot to test how such a release would work. A few months later, The Road to Guantanamo was similarly released by Roadside Attractions to theaters, cable and with internet download.

All it took was a near-collapse of the movie industry, and the bankruptcies of Hollywood mainstays like MGM, but the major studios look to be catching up to the 21st Century. Digital Entertainment Content Ecosystem announced multiple industry partners at CES 2011 to include all of the major Hollywood studios except for lone wolf Disney.

“The most highly skilled users are already downloading content, making copies and watching on any device they want,” said Mitch Singer, the chief technology officer of Sony Pictures, who has been the key executive behind Ultraviolet. “We’re trying to build a business model for everyone around that behavior.”

UltraViolet is a cross-industry cooperation to provide digital rights ownership by consumers in a simple way. It was developed due to the frustrating way every manufacturer seemed to have their own digital rights management (DRM) which didn’t play well with others.

Each consumer will have a “rights locker” that will receive the DRM information at purchase or rental. The content will be streamed or downloaded from the provider in accordance with the rights stored int he locker. The digital content may be transfered between devices or shared without obtaining additional rights.

Digital content providers signed up so far include Best Buy, Comcast, Microsoft, Panasonic, Sony and Toshiba. The content can be shared with up to six friends or family members, and can be transfered or streamed to up to twelve devices. They may also be copied to DVD or flash media for back up.

The studios and distributors retain the right to decide where and how to sel their content with UltraViolet technology, but the retailers will set the prices. Digital copies of movies and TV shows may be purchased or rented with computers, Internet-connected televisions, and with Blu-ray Discs. The estimated cost will be $11 or $12.

The coalition has been hard at work obtaining partnerships with phone, tablet, HDTV, Blu-ray player, video game console and computer manufacturers. Software will need to be implemented on any device to support UltraViolet DRM technology.

The CES 2011 announcement was for content availability from the major motion picture studios. Hardware and retail availability will come later this year. The studios wanted to provide the content now so there are no hurdles to getting the hardware and retail market up and running.

There were hints that UV technology would allow for ripping of DVDs for storage on local hard drives, and possibly in the cloud, with an UltraViolet license. UV-branded Blu-ray and DVD discs would come with a digital “copy-in-the-cloud” for streaming ro downloading. The stored content would be subject to the same terms as downloaded or steamed content.

Notably absent from this major consortium are Disney and Apple. (Apple CEO Steve Jobs is the largest share-holder of Disney.) These companies always went their own way, but they do it incredibly successfully so time will tell if they come to support UltraViolet in the future. Disney has been developing their own system for cloud-based rights management called Keychest. Just like they ad their own layer of encryption on DVDs and Blu-ray Discs, Disney will certainly try to do their own thing here.

Unless Apple joins the group, iPhones, iPods and iPads – and maybe even OS X – won’t have access to the UV ecosystem. The die hard Apple fans will justify why they rent movies from iTunes while the rest of the world enjoys lifetime ownership of their collection.

The news we had all been waiting for has finally come: Blockbuster, Inc. has filed for Chapter 11 bankruptcy.

Most of the company’s services will remain available throughout the process, which will last a few months. But as part of its reorganization, the company plans to shut down as many as 800 of its 3,400 stores in the United States. It also plans to move more toward a kiosk- and digital-based approach to delivering its content.

If you’ve been in a Blockbuster store any time during the past couple of years, you could see this coming. Gone are the days of perusing shelves and seeing if there was an extra DVD behind a movie title at your favorite video store. There has been a colossal shift in the industry, with mail and kiosks taking over much of the market.

It’s somewhat surprising that the kiosk-based approach that Redbox uses is still going strong. The convenience of stand-alone machines – usually found in front of pharmacies and supermarkets – coupled with the low prices make them successful, but you still have to drive somewhere.

Netflix is king of the home video market right now, but for how long? Many times I have grown impatient at the two-day turnaround time because I really needed to see the next three episodes of “Dexter.” Eventually this model will give way to on-demand, digital delivery of media. Netflix is already offering part of its inventory online, and Amazon and some cable providers are doing the same. Once set-top boxes such as Boxee and Apple TV become more common, we’ll see the scales tipped – again.

This was a guest post. About the author: James Mowery is a computer geek that writes about technology and related topics.

Even with the limited space within a rental machine, Redbox is making room for Blu-ray Discs to appear within the next few months.

Along with a new agreement from Universal Studios and 20th Century Fox, to include new movies 28 days after street date, is a partnership to provide Blu-ray Disc versions of popular movies. Rentals will incur a $1.50 rate per day.

Redbox rental kiosks account for 23% of the rental market, with 40 million DVDs renter per month. Owners of Blu-ray players hold 16.9% of Redbox customers.

Source: Home Media Magazine

After over two years of press releases, Kaleidescape has finally released their Blu-ray Disc players. First announcing BD support in 2008, Kaleidescape has been hard at work on a powerful high-definition media player. Originally scheduled for 2009, the project was put on hold in order to engineer a whole new processor enabling multiple streams of high-definition video.

The M500 movie player is the main player for the Kaleidescape System which allows for content loading and video playback (including discs not loaded on the server) and retails for $3,995. The M300 movie player retails for $2,495 and is a small-form factor movie client allowing streaming from the server.



The big questions have been answered. The server will store the Blu-ray Disc content, index it in the same menu as DVDs, and stream it over the network. A gigabit network will support five streams of bit-for-bit high definition video, while a standard 10/100T network will only support one stream. The kicker is the disc must be loaded in a player before the movie will start (any player in the system). The benefit is Kaleidescape bookmarks movies so the film will start immediately instead of waiting to load a menu, and so there is no sitting through trailers and warnings.

Kaleidescape has the largest metadata collection in the world (even bigger than Gracenote), and is individually bookmarked by Kaleidescape and given additional content like cover art, reviews, and more. Concert videos are even bookmarked to each song, another bonus. Additionally, if you run across an obscure title Kaleidescape doesn’t have, you can mail it to them and they will index it for free.



If finding a movie and loading it in the player before playing beats the whole purpose of a server, it does. But it was done that way for DRM purposes. Kaleidescape still hasn’t worked out all of the kinks with licensing, and until they get the go ahead from the Advanced Access Content System Licensing Administrator (AACSLA), they will have to prove the disc is present. This is why Kaleidescape is working on a multi-disc changer which will provide this presence without having to load the movie. The changer will index movies as they are added so it won’t have to find the disc before allowing access to the movie. Michael Malcolm, CEO of Kaleidescape, said, “Every once in awhile, there is a way to randomly check. Once it finds that one [disc] is missing, it will check them all.”

The multi-disc changer should retail between $3,000 and $5,000, which is more than half the cost of the Crestron BD multi-changer.

The new M Class players are also said to be “a platform for future sources of content.” These sources have not been named, but Kaleidescape feels content should be owned by the client, not rented, borrowed, or streamed. Also on the road map is iTunes sync and AVCHD support.

Along with new high definition players is news of an upgrade to the GUI, now in full 1080p high definition.

For videos on how the Blu-ray works, and on the new GUI, visit the Kaleidescape website.

Two years ago, the MPAA sued RealNetworks over their RealDVD software, which allowed for backing up DVDs to a hard drive, claiming an infringement of the Digital Millennium Copyright Act (DMCA). Last August, the MPAA prevailed in the case against Real. The Judge in the case made a very cryptic comment in the decision stating:

Had Real’s products been manufactured differently, i.e., if what happened in Vegas really did stay in Vegas, this might have been a different case. But, it is what it is. Once the distributive nature of the copying process takes hold, like the spread of gossip after a weekend in Vegas, what’s done cannot be undone.

After months of deliberation, Real decided not to appeal the decision, and paid $4,500,000 to the MPAA for legal fee reimbursement. They also shut off their online metadata service.

From the judge’s comments, it seems this decision affects software which could lead to distribution of the content. This may favor Kaleidescape’s argument considering their closed-architecture does not allow for data on their servers to be accessed except by associated Kaleidescape players.

It also seems to target a retail software, and should be a pronouncement on personal Fair Use.

Question: What do Demi Moore, Fred Thompson, and Panasonic’s newest Blu-ray Disc player have in common? Answer: They’ve all played a VHS tape.

The Panasonic DMP-BD70V Blu-ray Disc player also plays VHS cassette tapes. This makes as much sense as recording cable shows on a VCR (as one recent client asked to do). No, it makes less sense because this VHS player won’t even record – it only plays!

As mind-blowing as this product’s mere existence is, what’s more discombobulating is the fact that Amazon is selling it for $139 with free shipping. Pretend the VHS player isn’t attached and it’s one of the best deals I’ve ever seen on a BD player … ever.


Included on the player is an SD memory card slot; USB port; upconversion to 1080p for DVD and VHS; 7.1 channel audio decoding with bitstream output over HDMI (including DTS-HD and Dolby TrueHD); and, internet video streaming from Amazon, YouTube, and more. Quite a fully-featured player, with VHS to boot.

Maybe my mother-in-law can use this…